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#151 |
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Member
Join Date: Mar 2007
Location: Springfield Lakes
Posts: 751
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Got this a few weeks back but only just took some photos of it. Needs a battery before i can use it though. My first AF film camera
![]() ![]() Complete with date back
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Flickr - DeviantART - Camera Gear - Blogness | The OCAU 'film is not dead' club member#004 | i5 2500K | 7850 2gb | 8gb Corsair XMS3 | 1.8tb of WD greens |
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#152 | |
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Member
Join Date: Aug 2007
Location: Sydney
Posts: 1,205
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Quote:
Speaking of evilbay, i got another camera in the mail today, a Canonet 19 . I've been trying to cut back, but this little beast was going very cheap so i put a bid on it. Ended up costing less than $20, so you cant really go wrong i guess? Everything seems to be working so far too which is a plus! Came with case, filter and original box too ![]() Heres a quick pic i took of it. Didnt use a lightbox or anything, just put it infront of a window on white cardboard with white paper in the background. Little bit overexposed, but ok considering. ![]()
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#153 | |
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Member
Join Date: Mar 2007
Location: Springfield Lakes
Posts: 751
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Quote:
I got the 500 for free. A friend of my dads gave it to us (thats how we have scored nearly all of our film gear). Nice looking Canonet too. Still want a Trip 35 to take to uni and then develop the stuff when i get home in the afternoon
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Flickr - DeviantART - Camera Gear - Blogness | The OCAU 'film is not dead' club member#004 | i5 2500K | 7850 2gb | 8gb Corsair XMS3 | 1.8tb of WD greens |
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#154 | |
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Member
Join Date: Jun 2001
Location: Melbourne
Posts: 6,991
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Quote:
Im debating between the Opticfilm 7200 and the Coolscan V ED, after my Coolscan 2000 died.
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--Azrael I never saw a wild thing sorry for itself. A small bird will drop frozen dead from a bough without ever having felt sorry for itself. - D.H.Lawrence The Plebian Period | I'm a Christian... | Photo Gallery | avatar_takai @ Steam | takai on all other forums. |
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#155 |
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Member
Join Date: Apr 2003
Location: Augsburg, Germany
Posts: 2,789
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Still goes well. Sometimes I find velvia a bit of a pain to get right though with colours.
No expirence on the coolscan, so i couldnt say either way. |
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#156 |
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Member
Join Date: Aug 2004
Posts: 127
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This finally arrived in my letterbox today - an original Canonet QL17 with a 40mm f1.7 lens. I put a battery in it, and all seems to be working fine so Im very happy with it.
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#157 |
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Member
Join Date: Apr 2004
Location: Sydney
Posts: 3,194
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so that's a gen 1 you have, excellent. they were made in japan as opposed to the much saught after GIII made outside of japan. features do not justify the GIII prices over the GI. looks like a clean example too. glad it all works. have fun with it
![]() on a personal note i experienced a blank roll today. my first film roll to come out with nothing. long story in link, cut short it was a badly loaded film in an SLR. i free spun 36 frames but thank god it was a test roll shot in about 30 min earlier today.
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#158 | |
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Member
Join Date: Sep 2003
Location: Brisbane
Posts: 236
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Quote:
hehewhen I was looking for my Gen2 QL17 (meter check the only diff?) there were heaps of GIIIs around, but I purposely avoided them in quest for the 'classic' kinda feel Also just picked up a Canonet 19 but didn't get a funky box *sniff*... got the manual and ORIGINAL warranty card though! that was awesome... (thanks Ben )
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RAAH!!!!
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#159 |
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Member
Join Date: Apr 2004
Location: Sydney
Posts: 3,194
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mm the gen 2's are the best of the QL17's. not sure if esjays is actually a 1 or a 2.
copied this off another post i made a couple of weeks ago: of the 40/1.7 QL17's (they did release some with different lens) --- gen 1 made in japan no test light - marked as QL17 gen 2 made in japan battery test light inside viewfinder - marked as QL17 <--- best one gen 3 made in taiwan LED battery test light under viewfinder - marked QL17 GIII love the canonet 19. i've got a bell and howel one. i think it's one of the oldest of the 19's made. so much fun with the winder on the bottom. i wouldn't use it a lot as it's fairly heavy but still, lots of fun and a worthy one for the collection.
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#160 |
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Member
Join Date: Feb 2005
Location: Campbelltown, Adelaide
Posts: 1,294
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I know the cheap nice ones are great, but im starting to look for some medium format stuff, some of the old cheap TLR's, like a yashica mat 124 or something.
Either that or a Bessa R2, a nice M mount rangefinder, which i can hopefully save to get that noctilux, or 35/1.2 nokton on. Man im a greedy guts.
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My Website/Blog Flickr Zeiss Ikon ZM: CV 35mm f/1.2 Nokton SE Silver, CV 35mm f/1.4 Nokton MC, CV 50mm f/1.1 Nokton Canon AE-1: Canon FD 50mm f/1.4, Canon FD 28mm f/2.8, Jena Carl Zeiss 70-300 f/4.5-5.6 Pentax 6x7 + Pentax 67ii: SMC Pentax 67: 45mm f/4, 55mm f/4, 75mm f/4.5, 105mm f/2.4 x2, 165mm f/2.8, 200mm f/4, 300mm f/4 Rollei 6008i: Rollei PQS 80mm f/2.8 Planar HFT |
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#161 | |
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Member
Join Date: Aug 2007
Location: Sydney
Posts: 1,205
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Quote:
Over the last couple of months i've been thinking the same thing. I've bidded on a couple 124G's but missed out a couple of times. I'm also saving up to buy a Bessa or Leica (if i can find a nice deal) when i go overseas later this year. Just wish i had more money though =/
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#162 |
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Member
Join Date: Jan 2003
Posts: 512
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hey daniel
if u want tlr, look for a mamiya one they are like a brick i used to use one |
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#163 |
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Member
Join Date: Jul 2005
Location: Brisbane
Posts: 901
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Was browsing films on B&H and noticed some outdated and discontinued Agfa Scala B&W slide film. I looked it up wondering if anyone could actually develop the stuff and came across: www.dr5.com
I then discovered that this place in the US seems to be pretty much the only place that does it. However, they also do it from B&W Negative film! With films like Ilford HP5+ giving better results than the actual slide Agfa film. Below is their examples of HP5+ in their two difference developers: ![]() Looks pretty sexy. Have to mail it away and it's not very cheap, but it's still interesting. Has anyone worked with B&W slides before? Last edited by peewee82; 21st April 2008 at 5:51 PM. |
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#164 |
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Member
Join Date: Aug 2007
Location: Sydney
Posts: 1,205
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yes.
sexy indeed.....
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#165 | |
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Member
Join Date: Jan 2007
Location: SA
Posts: 176
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Quote:
But true BW films are designed to simply develop the silver layer, whereas this guy has found a way to develop a positive image using a dye that sublimates the film base (probably only through unexposed areas) and then the silver would be bleached off leaving a positive image. So its kinda similar to E6 in a way. But BW films don't actually have dye layers like colour films do. So how did he do it? And don't all BW film bases have a grey tint to them anyway? Wouldn't this make the highlights rather smoky? Anyone know what happens when you throw a normal B+W film through an E6 developer? I'm guessing you'd get some sort of positive image. Wouldn't the second bleach clear everything? I worked in a camera store/lab for 4 years i probably should know this... |
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