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Old 15th July 2010, 2:52 PM   #286
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Originally Posted by spootmonkey View Post
Remember those TVs you could buy back in the day with built-in VCRs? That's my point.

Yeah, coz VCR's are worth a lot second-hand now that we've realised modern technology isn't offering a decent replacement.

Oh wait, that's tubescreamer pedals. Sorry, I was mixing your retarded metaphor with my incredibly accurate metaphor.
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Old 15th July 2010, 2:54 PM   #287
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Try to get all the tubes cooking on your mates Engl, in your living room, at 10pm at night and you'll get an idea of where this Ibanez amp fits into the scheme of things.
Yeah I know what you're saying, and i do the same thing. It's all down to trade-off's - you can either have quiet and kinda tube sound or loud and real tube sound.
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Old 15th July 2010, 2:59 PM   #288
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Oh wait, that's tubescreamer pedals. Sorry, I was mixing your retarded metaphor with my incredibly accurate metaphor.
You can buy a swirly-painted vintage-spec corksniffer TS for $1000 if you like, or you could just take your pick of the myriad perfectly capable overdrive pedals on the market. If there were any special mojo in the old ones that wasn't in the new ones, you certainly wouldn't be finding it in this amp. The metaphor is fine, and applies equally to Rolands, Voxes and Line 6s, except in that case you get more options for significantly less money.

Set aside $150 for your preferred overdrive, then see if you can find a better bedroom amp for the remaining $930. I can get an OD1 and a HT5 for $700 you say? Fascinating.
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Old 15th July 2010, 3:04 PM   #289
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C'mon old man spoot, NOBODY uses VCRs anymore, your analogy sucks arse.

Also, it's isn't like this amp is priced like a TT + a vintage TS9, it's good value.

Not idea how you got onto Microcubes though... you know they've got an SS power amp with digital effects right?

Also HT-5 mini-stack is RRP$999, same as the Ibanez so I'm not quite sure where you got $700 from.
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Old 15th July 2010, 3:11 PM   #290
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The TV/VCR analogy is fine, because that particular idea was a failure, and hasn't been repeated on anywhere near that scale with newer media formats. I could even stretch it a little and argue that the obsoleteness of VCR adds to the argument in that it further demonstrates the benefits of modularity.

Every example I've given is of one product with another built-in, at the cost of versatility, with the only benefit being cost. If the Ibanez isn't significantly cheaper than a comparable small amp (does head/cab matter over combo in a bedroom context?), be it an all-valve high-gainable job or a mid-gain model coupled with a cheap new overdrive (this circuit ain't a vintage Tubescreamer, or vintage Tubescreamers wouldn't cost what they do), then what's the point?

On Tubescreamers, the difference between the TS7 and the current TS9 is $170, a metal case, a troublesome switch design, handwiring (as opposed to, I suspect, no wires), and less modes.

I believe that $1000 mini-stack option nets you a second speaker too.
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Old 15th July 2010, 3:17 PM   #291
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How is it not versatile? You know there's an on/off switch on the Tubescreamer stage right? It's one solitary overdrive stage in front of the pre but you're going on like it's a Fender G-DEC system.

Also I never play guitar in my bedroom, but in a living room I far prefer head/cab vs combo meals, they look way better.

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I believe that $1000 mini-stack option nets you a second speaker too.
Head + cab, $693 delivered.

http://www.musoscorner.com.au/site/i...EF1715AF3F191B

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Old 15th July 2010, 3:28 PM   #292
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Much better price - like I said, it has to be cheap. Bigger cut off RRP than anything else on there, which is interesting. If we're getting on to how things look though, the Ibanez is ugly.

On versatility, a) you can't sell the overdrive if you find something better, and b) you can't run anything else between the overdrive and the amp.
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Old 15th July 2010, 3:30 PM   #293
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It's beautiful!

Vintage cream and British green. It'll look brilliant next to my Orange and tan TT rig.

Maybe if I covered it in holoflash stickers?
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Old 15th July 2010, 3:32 PM   #294
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There's no accounting for taste.
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Old 15th July 2010, 3:41 PM   #295
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Maybe if I covered it in holoflash stickers?
You know you want to.

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I thought the whole point of an overdrive circuit was to make up for an amp that wouldn't overdrive.
On first impressions I thought it was a tube amp emulating a SS pedal. That would have been a bit backwards.

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Old 15th July 2010, 4:08 PM   #296
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I don't know. I'm surprised no one brought it up amidst my troublemaking, but there's a particular sound you get from slamming an already hot amp with an overdrive that is quite desireable, above and beyond any attempts at emulating the sound of that hot amp alone. No reason you couldn't sort out some kind of valve-powered front-end boost to pummel the pre-amp. Laney did it in the 70s, but went a bit over the top.
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Old 15th July 2010, 4:21 PM   #297
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Like a HT-Dual into a valve amp? Not exactly that exotic a setup is it?

And I don't see any reason why this Ibanez cranked up wouldn't sound like a hot amp with a desirable overdrive in front.
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Old 15th July 2010, 4:24 PM   #298
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Originally Posted by spootmonkey View Post
The TV/VCR analogy is fine, because that particular idea was a failure, and hasn't been repeated on anywhere near that scale with newer media formats. I could even stretch it a little and argue that the obsoleteness of VCR adds to the argument in that it further demonstrates the benefits of modularity.

Every example I've given is of one product with another built-in, at the cost of versatility, with the only benefit being cost. If the Ibanez isn't significantly cheaper than a comparable small amp (does head/cab matter over combo in a bedroom context?), be it an all-valve high-gainable job or a mid-gain model coupled with a cheap new overdrive (this circuit ain't a vintage Tubescreamer, or vintage Tubescreamers wouldn't cost what they do), then what's the point?

On Tubescreamers, the difference between the TS7 and the current TS9 is $170, a metal case, a troublesome switch design, handwiring (as opposed to, I suspect, no wires), and less modes.

I believe that $1000 mini-stack option nets you a second speaker too.
firstly ts9 is not handwired, the ts808hw is the only handwired tubescreamer and that's $650.

secondly, you can run and OD the TS amp preamp valves without touching the TS circuitry. there is a 6db boost switch on the amp which is seperate from the TS circuit. the FSW has two buttons, one for the TS and one for the boost. so you can get nice true tube OD, or you can have the TS sound that many many many many guitarists love


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BigandY, where do you work?
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Much On versatility, a) you can't sell the overdrive if you find something better, and b) you can't run anything else between the overdrive and the amp.
there's an fx loop, pretty sure it would be after the preamp/TS and before the power amp
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Old 15th July 2010, 6:09 PM   #299
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Anyone used an Invader, detuned guitars????? It works for Nile, but I'm not Nile
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Old 15th July 2010, 8:19 PM   #300
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firstly ts9 is not handwired, the ts808hw is the only handwired tubescreamer and that's $650.
Even better value!

Any idea what the 9-series look like on the inside then? I had an FL9 (maybe an original?) and that was definitely a manual job, like this:



I'm not sure those enclosure would lend themselves to board-mounted jacks or pots.

Edit: seems 'handwiring' on the 808HW means a full turret board job.



Quote:
there's an fx loop, pretty sure it would be after the preamp/TS and before the power amp
I guess it's just not aimed at my boost→fuzz→amp-ing self.
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